It’s All About the Music: Mikaela Davis

by Thomas Speltz

mikaela2Last week I went to a concert at The Dakota Jazz Club  in Minneapolis. When I took my seat at the venue I saw that there was a big beautiful harp on stage. Excitement and anticipation bubbled up inside me as I was not expecting to see a harp. In fact, I had never even heard harp in any of the music by the artist I was about to listen to. Because I spend most of my time seeing theatre, opera, and orchestra it didn’t occur to me that there would most likely be an opening act. Sure enough, Mikaela Davis entered the stage, sat down at her harp, and took my breath away.

When she began to play her first song, My Light Is Always On, I immediately thought of the well known singer, songwriter, and harpist Joanna Newsom, but as soon as Davis started to sing I could tell that she undoubtedly had unique voice of her own. It was amazing to me how she was able to make the harp sound different throughout the piece. At times I heard a harp but other times I heard a mandolin, a guitar, a sitar, a dulcimer. “I think a harp can do anything,” Davis declares, and I’m inclined to believe her.
mikaela3After her 30 minute set I was eager to hear her recorded work. On listening to the two albums I purchased from the merchandise table I discovered that Davis is not a solo performer. In both albums, her and her harp are accompanied by a small rock ensemble. At first I was disappointed that the songs were a total change of pace from what I had listened to at The Dakota. The music was missing that intimacy I loved in a voice and harp. But as I continued to listen I found myself recognizing what loved about her live performance in the mix of the larger ensemble.
In exploring more of her music on iTunes, SoundCloud, and YouTube I was able to get a better picture of what Mikaela Davis is all about. Her compositions and arrangements cleverly combine elements of folkpsychedelic rock, and chamber pop and her voice reveals a wisdom and ruefulness that belie her years. She employee the harp as a pulse, a rhythm, or a texture that seamlessly integrates into the rock-band context. I hope, as I continue to follow her work, that she maintains her ambitious stride in being a singer, songwriter, and harpist.

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Just Released: Level 5 Signature Series Speaker Wires

starcomponent-newWe are proud to announce that our newly released Level 5 Signature Speaker Wires have already won Audiophilia’s Star Component Award, and we invite you to stop in and hear why, in room 1104 at Rocky Mountain Audio Fest this weekend (October 7-9).

Martin Appel of Audiophilia.com stated their “detail, resolution and transparency were off the charts”, and that they have a “life-like realism that was truly astonishing“.

We accomplished this by rolling our excellent ACElectrum™ Silver/Gold alloy metallurgy, proven in our upper level interconnects, into a much larger gauge wire to handle the current demands of speakers.

The outcome was so sonically successful, Martin Appel said they “got the musical timbres of instruments as correctly as I’ve ever heard“.

5speakerwires-awardThese new Level 5 Signature Speaker Wires are so good at resolution and dynamics that he went on to say, “This recording has massive dynamic swings from the quietest passages to full orchestral/choral crescendos and the 5 Signatures handled the performance without congestion, blurring or smearing.  In other words, you get all the music, all the time“.

Mr Appel boldly closes his review by flat out stating, “If problems occur with the sound, it’s coming from other pieces in your audio chain, not these speaker wires.

You can read the entire review HERE.

…and you can hear them in room 1104 at the Rocky Mountain Audio Fest October 7th – 9th.

We are also sharing a lobby booth with Spatial Audio and Red Dragon Audio,  so be sure to stop in to say hello.

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ANTICABLES Lab: Why Power Cords Matter (Part 1 of 2)

by Paul Speltz

The development cycle for our power cords lasted three years. We spent two years first figuring out and understanding why power cords can make an audible difference, and then another year optimizing the design with that knowledge. The long development cycle paid off. In the four years since they first came out, we have not needed to make any improvements in the design. Customers that bought them in 2012 have the same performance as power cords sold today.

Power LinesIf you think of a power cord as the last five feet of getting power from the electric company’s power plant into your component, electrically it does not have much sonic advantage. But, if you model a power cord as the first five feet of getting the noise generated in the component’s own power supply out of the component (so it does not get into the music), power cords make a lot more sense.

Any manufacturer that markets their heavy duty power cords towards customer’s big power amplifiers, and offers smaller gauge power cords for customers to use on lower power components such as DACs  and PreAmps, is designing to the “last five feet” model, and missing out on the bigger advantages of what a properly designed power cord is capable of.

If I had only one ANTICABLES Level 3 Power cord (our heaviest duty offering), for my personal listening system, I would use it on my DAC instead of my power amp to get best sound. This is because DAC’s, by nature, are generally much more susceptible to noise than power amps. Noise in DACs causes timing errors call jitter, and it is jitter that makes digital audio sound flat, hard, and non-dynamic.  Jitter makes bass sound wooly, voices and piano sound harmonically uninteresting, and cymbals sound like spray cans. Our Level 3 Power cord is so good at removing noise from components, it is my top recommendation for Digital sources, CD players and DACs.

A properly designed power cord can improve the sound of any component, it is just generally true that digital components have greater potential for sonic improvement than other components, but that is only if the power cord used has been designed as the first five feet of getting the component’s own power supply noise out of the component.

Most audiophiles have been told the only noise source getting into their music is from all the computers, lights, and appliances running in their and their neighbors houses. But I believe the biggest source of noise getting into the music signal  is from the component’s own power supply (which can be an inch or two away from critical circuitry).  If you think about it, this makes so much sense, it is practically self-evident .

Our “first five feet” designed power cords have become so well received, that they have gone from a nice sideline offering, to now to being our customer’s favorite product. Our Level 3 Power Cord was ANTICABLES top selling product last quarter.

Next month, I will share my unusual perspective on power conditioners.

Read Why Power Cords Matter, Part 2

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It’s All About the Music: The Dakota Jazz Club

by Judy Speltz

This past week, Paul and I caught Ruthie Foster playing at the Dakota Jazz Club in downtown Minneapolis. It’s a small venue — a restaurant with less than 350 seats around a small stage. It reminds me of the “MTV Unplugged” set— but with food and wine, and room to dance if the mood moves you, but cozy.

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Judy Speltz of ANTICABLES with Jack Broadbent

Prior to the show, the manager always comes out to engage the audience in conversation and promote upcoming shows. This particular night, he said “we have a surprise”.  A slender young man with long hair and a beard/mustache sauntered out on stage holding a pint and introduced himself with a British accent as Jack Broadbent. He then sat down on his small amp, lay his electric guitar on his lap, grabbed the silver whiskey flask he uses for a slide, and put the audience at attention with the first pluck of the strings.

If music were static, then we were all clinging to the whip of his wrist as the whiskey flask traveled up and down the neck of his guitar. I think we were in disbelief for a minute, but soon surrendered to the trance we found ourselves in.

Lucky for us, Jack had just finished a tour with Peter Frampton, and after ringing up someone in the Twin Cities, we found him playing ahead of Ruthie Foster that night. We’ve come to learn that Broadbent has already made quite a name for himself, starting on Youtube playing on the streets of London and Amsterdam. I guess Paul and I are late to the party — but if you haven’t heard of him either, familiarize yourself with this man cause he ain’t goin’ no where but up!

Ruthie Foster is no stranger to fame. She’s been singing since she was a young girl — at 14 Ruthie was the soloist in the church choir. If you Wikipedia Ruthie, her accolades are numerous, too many to mention here. It was a beautiful evening of music from Ruthie and her band. Ruthie’s gospel background flavors all her music and keeps you firmly connected to her southern roots. It was our first time seeing Ruthie, a woman who has been compared to the great Aretha Franklin. It was one of those evenings where you feel so damn lucky.

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Capital Audiofest Wrap-up

Photos Credit: Audiophilia Capital Audiofest Show report

Although we were not able to personally attend, the ANTICABLES products made an appearance last month at Capital Audiofest which is held just north of our nation’s capital. Mark Sossa of Well Pleased AV pulled together a listening room using electronics he represents including Aqua Audio’s La Voce DAC ($2700), Antipodes DS music server ($2800), and Clones 25iR integrated amp ($1200).

The room filled with music through Mike Levy’s new Alta Audio IO Loudspeaker ($3000/pair). ANTICABLES Speaker Wires, Interconnects, and Power Cords glued it all together.

The three of us are planning on putting together an even higher level system in a listening room this October at RMAF in Colorado. More on that soon!

Thank you Mark and Mike for your efforts!
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Paul

 

ANTICABLES Products at Capital Audiofest:
See show reports on the Capital Audiofest room in Audiophilia.

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